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By the time the materials arrived three years later, much pre-construction time had been spent picnicking at and exploring the lot where the house would stand. After a period of intense collaboration between Charles and Ray, the scheme was radically changed to sit more quietly in the land and avoid impinging upon the pleasant meadow that fronted the house. Although Eero Saarinen did not have any contribution to the Eames House as built, he did co-design the Entenza House (Case Study House #9) with Charles Eames next door for John Entenza. A 1.4-acre site near the coast in Pacific Palisades, on a wooded bluff that was once part of Will Rogers' large estate, was selected. The design was first sketched out by Charles Eames with fellow architect Eero Saarinen in 1945 as a raised steel and glass box projecting out of the slope and spanning the entrance drive before cantilevering dramatically over the front yard. The structure was to be constructed entirely from "off-the-shelf" parts available from steel fabricators catalogs.
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Perhaps the proof of its success in fulfilling its program is the fact that it remained at the center of the Eames' life and work from the time they moved in (Christmas Eve, 1949) until their deaths. The design of the house was proposed by Charles and Ray as part of the famous Case Study House program for John Entenza's Arts & Architecture magazine. The houses were documented before, during and after construction for publication in Arts & Architecture. The Eames' proposal for the Case Study House No. 8 reflected their own household and their own needs; a young married couple wanting a place to live, work and entertain in one undemanding setting in harmony with the site. The brash sleekness of the design made it a favorite backdrop for fashion shoots in the 1950s and 1960s for publications such as Vogue.
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Perhaps the proof of its success in fulfilling its program is the fact that it remained at the center of the Eameses' life and work from the time they moved in (Christmas Eve 1949) until their deaths. Nestled in the heart of the Marquez Knolls community, this charming original 1956 fixer-upper presents a rare opportunity to restore and personalize your dream home in a highly coveted area. Conveniently located just blocks from community shops, Marquez Elementary, scenic hiking trails, sandy beaches, and the bustling atmosphere of the Palisades Village, this property offers the perfect canvas for crafting your ideal lifestyle. Embrace the potential and seize the opportunity to transform this house into your forever home in the heart of one of Los Angeles' most desirable neighborhoods. The Kappe Residence is a house located in the Rustic Canyon section of Pacific Palisades, that was designed by architect Raymond Kappe, FAIA,[clarification needed] and was intended to be his own private residence.
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Features of their house and studio are now ubiquitous, but 70 years ago, they were revolutionary. The house is situated on a three-acre site on top of an 150-foot cliff that overlooks the Pacific Ocean. The site is a flat parcel on otherwise steep land that creates a retaining wall to the west. The response to this condition was a concrete retaining wall that ties together the two boxes separated by a courtyard that make up the parti of the residence. The Eames House doesn’t just make a statement from the outside; the interiors are equally compelling.
Fleetwood doors seamlessly integrate indoor and outdoor spaces, while the pristine white porcelain tiling provides a luxurious poolside aesthetic. A convenient powder room and a luxurious en-suite bedroom downstairs ensure comfort and convenience. The gourmet kitchen is outfitted with a dedicated butler's station, walk-in pantry, and top-of-the-line Wolf appliances, complemented by elegant marble, ribbed wood, and roman clay accents, all centered around a cozy fireplace. Descend to the basement to discover a state-of-the-art theater, expansive entertaining space, a private guest suite, fully equipped gym, and convenient laundry room. Ascend to the upper level to find the primary suite, with floor to ceiling roman clay, featuring a balcony and fireplace, a ribbed wooden vanity, custom marble oversized shower, and two walk-in closets.
The house is a melting pot of the Eameses’ diverse interests and design sensibilities—featuring Isamu Noguchi lamps, Thonet chairs, Native American baskets, and more. The living spaces are meticulously designed to serve multiple functions—a living room that transforms into a workspace, alcoves that turn into intimate conversation spots, and hallways lined with functional storage closets. Both structures are predominantly characterized by their steel frame construction, filled with a variety of colored panels.
A Sunny Picnic to Celebrate Charles and Ray Eames – SURFACE - Surface Magazine
A Sunny Picnic to Celebrate Charles and Ray Eames – SURFACE.
Posted: Tue, 27 Sep 2022 07:00:00 GMT [source]
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"This is a home that is lived in by two people who've been all over the world and are sharing some of what they've harvested in those adventures in their home." From their Los Angeles studio, they designed molded plywood office and lounge chairs that are now considered classics. The couple devised toys and made innovative films about math and computers for clients such as IBM and Boeing.
Given the accessibility of new materials and techniques locally produced in Los Angeles by the aerospace industry for war efforts, it was easy for the Eamses to adapt such new methods and materials creatively. The house and studio sit diagonally facing the ocean, aligned north to south along a retaining wall that supports a steep embankment of eucalyptus trees to the west of the structures. These industrial materials were carefully arranged into a steel frame of regular bays measuring seven-and-a-half inches wide by twenty feet high. The short leg of the house is three bays wide and eight bays long, including a structural overhang of one bay for the rear patio.
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Now, their heirs are working to preserve the house for generations to come. Lucia Eames died in 2014, leaving her five children as the Board of Directors of the Eames Foundation. Together, with the help of staff and docents, they oversee the ownership, conservation, and visitor services of the two structures, landscaping, and Charles and Ray's belongings. The Eames Foundation's 250 Year Project hopes to conserve and care for the home for 250 years into the future. The Getty Villa is an educational center and museum dedicated to the study of the arts and cultures of Ancient Greece, Rome, and Etruria. Station 23 is located on Sunset Boulevard at the bottom of Los Liones Drive and Station 69 is located on Sunset Boulevard and Carey Street.
The Village consists of a weekly farmers' market, restaurants, cafés, and coffee shops in addition to boutiques, shops, banks, offices, and local events. Beyond the breakers, an ancient brigantine weighed anchor, cutlassed men swarming over the sides of the ship, while on the shore performing cowboys galloped about, twirling their lassos in pursuit of errant cattle ... The main herds were kept in the hills, where Ince also raised feed and garden produce.
No matter what, visiting the Eames House, even if just an exterior tour, is entirely worth a trip across the country. It was part of the Case Study House Program, a pioneering initiative launched by the magazine Arts & Architecture in 1945 to explore the potential of modern architecture in post-World War II America. Leading architects of the time were commissioned to design and build low-cost, innovative homes that could be easily replicated for the masses.
Do not knock or ring doorbells/buzzers; the Eames House does not have them. Once you arrive on the grounds, head for the area between the two buildings to check-in. Mort's Palisades Deli, more commonly referred to as Mort's Deli, was a Jewish delicatessen located at 1035 Swarthmore Ave on the corner of Sunset Boulevard in the Village. Mort's was a neighborhood fixture and local landmark, which first opened in 1972 and closed in 2008 upon the building's sale to former mayor Richard Riordan, who closed the deli to make way for a bistro, which itself closed after a few months. The deli was known for their Reuben sandwiches and celebrity clientele including Larry David, Walter Matthau, and Larry King among others, as well as being featured in numerous episodes of Curb Your Enthusiasm as Leo's Deli. The Via Bluffs and The Huntington Palisades are the neighborhoods that border the "village" proper to the south of Sunset Boulevard, overlooking the ocean.
Susan Macdonald, the GCI's head of buildings and sites, says the project proves the institute can treat modern buildings the same way it treats buildings from the ancient world. Nestled in the Pacific Palisades neighborhood of Los Angeles stands the Eames House, also known as Case Study House No. 8. It is more than just a work of mid-century modern architecture; it’s an enduring testament to the design sensibilities and philosophies of Charles and Ray Eames, the husband-and-wife team who not only designed it but also called it home. Built in 1949, this iconic structure encapsulates the couple’s holistic approach to design and life. The Eames House embraced new materials, technology, and a bright palette of primary colors on the exterior. More significantly, the original plans included spaces typical of most nineteenth- and early-twentieth-century houses, while the built plan does not.
A courtyard was also introduced, separating the residence from the studio space. The 17 foot (5.1 m) tall facade is broken down into a rigidly geometric composition of brightly colored and neutral-colored panels between thin steel columns and braces, painted "a warm grey". Planted in the 1880s by Abbot Kinney,[2] an existing row of eucalyptus trees was preserved along the exposed wall of the house, providing some shading and a visual contrast with the house's bold facade. In the early 1940s, John Entenza, the owner of Arts & Architecture magazine and Case Study Program founder, purchased 5 acres of land on a wooded bluff that was once part of Will Rogers' large estate. Their home's design was first sketched out by Charles Eames with fellow architect Eero Saarinen in 1945 as a raised steel and glass box projecting out of the slope and spanning the entrance drive before cantilevering dramatically over the front yard. The structure was to be constructed entirely from "off-the-shelf" parts available from steel fabricator catalogs.
Initial designs by Charles Eames and Eero Saarinen, which envisioned a glass and steel box cantilevering dramatically over the property, were shelved. In part, due to material shortages in the post-war era, Charles and Ray turned inward, observing and soaking in the nuances of the site. The eventual design had the house sitting quietly in the land, harmonizing with the natural surroundings rather than imposing on it. The first plan of the Eameses’ home, known as the Bridge House, was designed in 1945 by Charles Eames and Eero Saarinen. The design used pre-fabricated materials ordered from catalogues, a continuation of the idea of mass-production.
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